Epithet

Name

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1. Still watching the pupil nurses, Mc.Neil saw that two were deathly white
, a 3rd had gasped snd turned off ; the other three were stoically
observation.

A. Hailey A. Hailey

The writer uses the above mentioned names to give better image of the interior province of the characters. The word & # 8220 ; picket
& # 8221 ; is instead impersonal, while & # 8220 ; deathlike white
& # 8221 ; is emotionally coloured. It gives a graphic image.

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2. The aureate strain of Polynesia betrayed itself in the sun-gilt
of his tegument
and project up aureate shininesss, and visible radiations through the inkling
blueof his eyes
.

J. London J. London

The writer uses reversed names in the above infusion to touch the reader & # 8217 ; s imaginativeness. With the usage of names, J. London makes emotionally colored description of the character.

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3. On the underside of the immense and glassy laguna
was much pearl shell, and from the deck of the schooner, across the slender ring of the atoll, the frogmans could be seen at work.

J. London J. London

The writer uses simple epithet & # 8220 ; glassy
& # 8221 ; to demo that the H2O in this laguna was pure.

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4. The Sun had disappeared, and a lead-colored dusk
settled down.

J. London J. London
Hyperbole Hyperbole

1. He steeled himself to maintain above the suffocating dreaminess
that lapped like a lifting tide through all the Wellss of his being.

J. London J. London

The writer uses exaggeration to demo that the hero was unable to state a individual word at that minute.

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2. & # 8220 ; You couldn & # 8217 ; t win from me in a thousand old ages
& # 8221 ; , Danny assured him.

J. London J. London

The writer uses the above-named look to demo that there were no opportunities to win from Danny. J. London makes us see, that the hero considers himself to be a really good participant.

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3. He saw the perambulating cadavers
, the ghastly decease & # 8217 ; s caputs
of work forces who laborated in the dye suites.

J. London J. London

Using look & # 8220 ; the perambulating cadavers
& # 8221 ; the writer points out that these work forces are exhausted with their difficult and risky work.

Metaphor Metaphor

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1. Jim Cardegee awoke, choking, bewildered, get downing down the twin Wellss of steel
.

J. London J. London

The writer uses the above-named metaphor to depict shot-guns. A word denoting one object is applied to another for the intent of proposing a similitude between them.

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2. Young puppies
and old grey Canis familiariss
who ought to hold known better & # 8211 ; oh, they all came up and crawled around her skirts and whined and fawned
when she whistled.

J. London J. London

The writer uses the above-named metaphor to depict old and immature work forces.

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3. & # 8220 ; To me he is power & # 8211 ; he is
the crude & # 184 ; the wild wolf, the dramatic rattler, the stinging centipede
& # 8221 ; , said Arrellano.

J. London J. London

The writer compares the hero with the wild animals.

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4. In the whole atollnot two rocks remained one upon another.

J. London J. London

The writer uses metaphor to emphasize that nil safe remained in the whole atoll.

Simile Simile

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1. At times his head wandered farther afield, and he plodded on, a mere mechanization, unusual amour propres
and flightinesss
gnawing at his encephalon like worms
.

J. London J. London

The simple simile. The writer draws a comparing between two different things & # 8220 ; minds & # 8221 ; and & # 8220 ; worms & # 8221 ; .

2. He
threw off his battalion and went into the first-come-first-serve grass on custodies and articulatio genuss, scranching and crunching, like some bovine animal
.

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J. London J. London

The sustained simile. The writer draws the implicative parallel.

3. His articulations
were like rusty flexible joints
.

J. London J. London

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4. Again the rifles of the soldiers of Porfirio Diaz cracked, and once more he
dropped to the land and slunk off like
some hunted prairie wolf
of the hills.

J. London J. London
Personification Personification

1. The present storm had been born
five yearss ago in the Lee of the Colorado.

A. Hailey A. Hailey

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The writer personificates the storm.

2. Merely as daytime laid its
steel-gray fingers
on the parchment window, Jacob Kent awoke.

J. London J. London

The writer compares the daytime with a human being.

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3. A see swept up the beach, creaming
around the short pantss of the coconuts and lessening
about at their pess.

J. London J. London
The writer shows similarity between the sea and the animate being The writer shows similarity between the sea and the animate being
Irony Irony

1. The sight of his meekly withdrawing back must hold further enraged Patsy Horan, for that worthy
, dropping the tabular array implements, sprang upon him.

J. London J. London

2. The Gallic, with no inherent aptitude for colonisation
, futile in their infantile playgame
of developing the resources of the island, were merely excessively glad to see the English company win.

J. London J. London

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3. & # 8220 ; Well & # 8221 ; , thought Alice to herself, & # 8220 ; after such a autumn as this, I shall believe nil of toppling down stepss. How brave they & # 8217 ; ll all think me at place! Why, I wouldn & # 8217 ; Ts say anything
about it, even if I fell off the top of the house
& # 8221 ; ( Which was really likely true
)

L. Carroll L. Carroll

4. & # 8220 ; & # 8230 ; if you drink much
from a bottle marked& # 8220 ;
toxicant & # 8221 ; , it is about certain to differ with you, earlier or subsequently
. & # 8221 ;

L. Carroll L. Carroll
Zeugma Zeugma

1. They grew frightened, sitting therefore and confronting
their ain apprehensivenesss
and a indurate, tobacco-smoking audience
.

J. London J. London

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2. He returned
with an easier air to the tabular array and his repast
.

H.G. Wells

3. The one sufferer who might, possibly, have paid
him a visit and a fee
did non demo herself.

A. Bennett

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4. She broke off under
the strain of her illiteracy
and an overladen tummy
.

A. Cronin A. Cronin

5. & # 8220 ; What are you guys making & # 8211 ; holding a supper and ladies & # 8217 ; dark
. & # 8221 ;

A. Hailey

Metonymy Metonymy

1. The bartender leant his fat ruddy weaponries on the counter and talked of Equus caballuss with an anemic taxidriver, while a black-bearded adult male in Grey snapped up biscuit and cheese, drank Burton
, and conversed in American with a police officer off responsibility. ( kind of beer )

H.G. Wells H.G. Wells

2. I made off up the roadway to Bloomsbury Square, meaning to strike north past the Museum
and so acquire into the quiet territory. ( British Museum )

H.G. Wells H.G. Wells

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3. The handgun snapped its penultimate shooting and ripped a valuable
Sidney Cooper
. ( ripped a canvas )

H.G. Wells H.G. Wells

Oxymoron

1. The idea was like some Sweet, disarranging toxicant
to Clyde.

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T. Dreiser T. Dreiser

Oxymoron is a specific type of an name, which is ever contrary to the verb or noun it modifies. With the usage of the above-named oxymoron the writer shows that this idea was pleasant to Clyde, but at the same clip unsafe.

2. When Clyde appeared to be the least decreased in head she most affected this spiel with him, since it had an about electric, if sweetly torturing consequence
on him.

T. Dreiser T. Dreiser

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3. You baddie, good male child
.

T. Dreiser T. Dreiser

4. It tortured and flustered
him.

T. Dreiser T. Dreiser
Pun Pun

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1. & # 8220 ; I had non
! & # 8221 ; Cried the Mouse, aggressively and really angrily.

& # 8220 ; A knot
! & # 8221 ; said Alice, ever ready to do herself utile, and looking uneasily about her.

& # 8220 ; Oh, do allow me assist to undo
it! & # 8221 ;

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& # 8220 ; I shall make nil
of the kind & # 8221 ; , said the Mouse, acquiring up and walking off.

L. Carroll L. Carroll

2. & # 8220 ; & # 8230 ; You see the Earth takes 24 hours to turn round on its axis
– & # 8221 ;

& # 8220 ; Talking of axes
& # 8221 ; , said the Dormouse, & # 8220 ; chop off her caput! & # 8221 ;

L. Carroll L. Carroll

3. & # 8220 ; No, delight travel on! & # 8221 ; Alice said really meekly: & # 8220 ; I won & # 8217 ; t disrupt you once more. I dare state there may be one
& # 8221 ; ( pronoun )

& # 8220 ; One,
so! & # 8221 ; said the Dormouse, without sing at all this clip. ( numerical )

L. Carroll L. Carroll

4. & # 8220 ; Take some more
tea & # 8221 ; , the March Hare said to Alice, really seriously.

& # 8220 ; I & # 8217 ; ve had nil yet & # 8221 ; , Alice replied in an pained tone, & # 8220 ; so I can & # 8217 ; t take more
& # 8221 ; .

& # 8220 ; You mean, you can & # 8217 ; t take less & # 8221 ; , said the Hatter: & # 8220 ; It & # 8217 ; s really easy to take more
than nil & # 8221 ; .

. Carroll. Dodgson
Antithesis Antithesis

1. Most of the kids here have had rubeolas. Those that haven & # 8217 ; t are certain to hold it sooner or later
.

A.J. Cronin A.J. Cronin

2. His cigar bobbed up and down
, dispatching ash partially on himself, partially on the polished linoleum floor.

A. Hailey A. Hailey

3. It was a signal of TB ; whether old or recent
they would cognize in a minute.

A. Hailey A. Hailey

4. & # 8220 ; Storm or non
, contracts decreed that air freight spoilables must get at finish fresh, and fleetly & # 8221 ; .

A. Hailey A. Hailey
Detached building Detached building
Parenthesis Parenthesis

1. His topographic point of concern & # 8211 ; whatever high-class tooth doctors choose to name it
& # 8211 ; was rather ready for him when he arrived at Hanbridge.

A. Bennett A. Bennett

2. She had a heat of spirit & # 8211 ; he had one time described it to himself as a strong kindness
& # 8211 ; that was at one time comforting and reconstructing.

A. Hailey A. Hailey

3. As he watched her now & # 8211 ; she had stopped to talk with one of the housemans
& # 8211 ; he saw her raise a manus and push back her hair from the side of her face.

A. Hailey A. Hailey

4. After tea, while Mary had gone to rinse the dishes, – she insisted that Christine looked tired
, – Andrew detached the babe from Mrs. Boland and played with it on the hearthrug before the fire.

A.J. Cronin A.J. Cronin

5. He ran up the porch stairss, threw unfastened the front door and at that place, in the hall
, he found Llewellyn.

A. J. Cronin A. J. Cronin

The writer inserts the phrase & # 8220 ; in the hall & # 8221 ; into this statement to give extra information. This sentence is logically and grammatically completed even without this phrase.

6. Next he constructed, really merely
, a dust chamber in which for certain hours of the twenty-four hours the animate beings were exposed to concentrations of the dust, others being unexposed & # 8211 ; the controls
.

A. Cronin A. Cronin

With the word & # 8220 ; the controls & # 8221 ; the writer gives account of other animate beings being unexposed.

Anadiplosis ( associating, anadiplosis ) Anadiplosis ( associating, anadiplosis )

1. He asked her to step in
, and in she stepped
.

A. Bennett A. Bennett

The writer uses the same phrase both at the terminal of a clause and at the beginning of the consecutive 1.

2. & # 8220 ; There was a cold bitter gustatory sensation in the air, and new-lighted lamps looked sad
. Sad
were the visible radiations in the houses opposite. & # 8221 ;

K. Mansfield K. Mansfield

The writer uses the same word & # 8220 ; sad & # 8221 ; both at the terminal of a sentence and at the beginning of the consecutive 1.

3. With one manus, Danny was utilizing a ruddy telephone ; with the other, flicking through exigency orders
& # 8211 ; Mel & # 8217 ; s orders
, carefully drawn up for occasions such as this.

A. Hailey A. Hailey

The writer uses the same phrase both at the terminal of a clause and at the beginning of the consecutive 1.

Ellipsis Ellipsis

1. & # 8220 ; You see these three dentitions? & # 8221 ;

A. Bennett A. Bennett

The writer uses eclipsis to demo that the character speaks in familiar conversational tone.

2. & # 8220 ; They should be through, or almost. & # 8221 ; & # 8220 ; They might be & # 8211 ; if we could happen the frigging truck & # 8221 ;

A. Hailey A. Hailey

The word & # 8220 ; through & # 8221 ; is omitted, though the context of the sentence does non endure.

3. & # 8220 ; You can hold your spot of snap straight off to-night. No surgery. Dai Jenkins done it. & # 8221 ;

A. Hailey A. Hailey

Omission of nexus verb & # 8211 ; & # 8220 ; Dai Jenkins has done it & # 8221 ;

4. & # 8220 ; A intermission, so more sharply, & # 8220 ; Any other damnfool stupid impression? & # 8221 ;

A. Hailey A. Hailey
Asyndeton Asyndeton

1. With a laugh he would lift, stretch himself, swing round his lenses, put the slides off.

A.J. Cronin

The writer writes without concurrences in order to rush up the action.

2. & # 8220 ; Bicket did non reply his pharynx felt excessively dry. & # 8221 ;

Galsworthy

Here we can see the absence of the concurrence & # 8220 ; because & # 8221 ; .

3. He glanced up, laid down his coffin nail, went into the hall.

A.J. Cronin

4. His places were black tied boots, good boots, honest boots, standard boots, inordinately uninteresting boots.

S.Lewis

Anticlimax Anticlimax

1. The kids began upon the cocoa biscuits and ended with a battle for the last piece of staff of life.

A.J. Cronin A.J. Cronin

The writer creates a amusing consequence with this unexpected stoping of the sentence.

2. They were traveling to give him a free manus, back him up with their huge authorization
, turn him free on his clinical research
. & # 8220 ; But, gentlemen & # 8221 ; , Billy all of a sudden pipped, scuffling himself a new trade from his coat pockets, & # 8220 ; before
Doctor Manson goes on with this job, before we can experience ourselves at autonomy to let him to concentrate his attempts
upon it, there is another and, more urgent affair, which
I feel he ought to take up
. & # 8221 ;

A.J. Cronin

3. & # 8220 ; Possibly it & # 8217 ; s a call, Chris! Think of it! My first Aberalaw case. & # 8221 ;

He dashed into the hall.

It was non a instance, nevertheless, but Doctor Llewellyn, telefoning his welcome from his place at the other terminal of the town.

A.J. Cronin

4. The grey suit was good cut, good made, and wholly insignificant. His places were black tied boots, good boots, honest boots, standard boots, inordinately uninteresting boots.

S.Lewis
Anaphoras

1. He told her
she was a sweet, keen kid. He told her
he had been a beast to her but that for the remainder of his life he would be a rug & # 8211 ; non red, since she interjected her expostulation to that coloring material & # 8211 ; on which she might step. He told her
much more than that.

A.J. Cronin

Here the writer uses a consecutive repeat of the phrase & # 8220 ; he told her & # 8221 ; at the beginning of 3 back-to-back sentences.

2. She laughed
till the cryings ran down her cheeks. She laughed
so difficult that he sat up, concerned.

A.J. Cronin

3. Could a adult male ain anything prettier than
this dining-table with its deep shades, the starry, soft-petalled roses, the ruby-coloured glass, and quaint Ag trappings ; could a adult male ain anything prettier than
a adult female who sat at it?

J. Galsworthy

The writer uses repeat of the phrase & # 8220 ; could a adult male ain anything prettier than & # 8221 ; at the beginning of the sentence and at the beginning of the clause.

Epiphoras

1. Dear God, he had done it
! He had done it! He was through, he had done it
!

A.J. Cronin

Repeated unit is placed at the terminal of back-to-back sentences.

2. & # 8220 ; The studies are taking excessively long
. Much excessively long
.
& # 8221 ;

A. Hailey

3. & # 8220 ; I haven & # 8217 ; t got a occupation
. I & # 8217 ; m non looking for a occupation
. Furthermore, I am non traveling to look for a occupation
. & # 8221 ;

J. London

The writer repeats a word & # 8220 ; occupation & # 8221 ; at the terminal of back-to-back sentences.

Aposiopesis

1. & # 8220 ; Good afternoon & # 8221 ; , said Mr. Cowlishaw & # 8220 ; Have you & # 8230 ; Can I & # 8230 ; & # 8221 ;

A. Bennett

The character is worried, this why he can & # 8217 ; t stop his statements.

2. & # 8220 ; But, George, possibly it & # 8217 ; s really of import for you to travel and larn all that about & # 8211 ; cowss judging and dirts and those things & # 8230 ; Of class, I don & # 8217 ; t know. & # 8221 ;

O. Wilde

The writer uses aposiopesis to demo the jitteriness and concern of the character.

3. & # 8220 ; Listen, Emily, I & # 8217 ; m traveling to state you why I & # 8217 ; m non traveling to Agriculture School. I think that one time you & # 8217 ; re found a individual that you & # 8217 ; re really fond of & # 8230 ; I mean a individual who & # 8217 ; s fond of you, excessively, and likes you adequate to be interested in your character & # 8230 ; Well, I think that & # 8217 ; s merely every bit of import as college is, and even more so. That & # 8217 ; s what I think. & # 8221 ;

O. Wilde
Hyperbaton

1. & # 8220 ; I know there was a spot of misconstruing between your Tom and me. But it & # 8217 ; s Christmas & # 8211 ; and & # 8211 ; oh, well, I want & # 8211 ; & # 8221 ; he broke down lamely, – & # 8220 ; I mean, I & # 8217 ; d be terribly pleased if the three of you would come unit of ammunition and assist us eat our Christmas dinner. & # 8221 ;

A.J. Cronin

The writer uses hyperbaton to demo the edgy province of the talker & # 8217 ; s head.

2. & # 8220 ; The fact is I & # 8217 ; d begun to inquire myself if you weren & # 8217 ; t excessively little, excessively much of a child of all time to & # 8211 ; oh, well, I & # 8217 ; m delighted. But we & # 8217 ; re non traveling to acquire sentimental. Slushy, I mean. No, no! Let & # 8217 ; s leave that kind of thing to Mr. And Mrs. Smith. & # 8221 ;

A.J. Cronin

3. & # 8220 ; I slipped in. Cipher knows I am here. I wanted to see you. I came to state you I have been really foolish. I came because I could no longer remain off, because my bosom compelled me to come, because & # 8230 ; because I wanted to come. & # 8221 ;

J. London
Framing

1. A error
had been made, and yet it was non a wanton error
.

A. Hailey

The writer reiterates the same word & # 8220 ; misidentify & # 8221 ; at the beginning and at the terminal of a sentence.

2. He was no talker
and he knew that he was no talker
.

A. J. Cronin

The writer reiterates the same phrase & # 8220 ; he was no talker & # 8221 ; at the beginning and at the terminal of a sentence.

3. A bubble
of mucous secretion came from one bantam anterior naris, a joyful iridescent bubble
.

A.J. Cronin

4. & # 8220 ; My encephalon
is the same old encephalon
. & # 8221 ;

J.London

Withdrawal

1. & # 8220 ; Possibly it & # 8217 ; s a call, Chris! Think of it!
My first Aberalaw instance
. & # 8221 ;

He dashed into the hall
.

A.J.Cronin

The writer makes withdrawals to heighten their accent.

2. & # 8220 ; Well, good! This is glorious
. Delighted to run into you. Come along in here. & # 8221 ;

A.J.Cronin

3. & # 8220 ; But we & # 8217 ; re non traveling to acquire sentimental. Slushy, I mean. No, no! & # 8221 ;

A.J.Cronin
Onomatopoeia

1.
Pinging!
Went the door once more. Before Andrew could reply, Doctor Philip Denny and Hawkins disappeared into the wet darkness.

A. J. Cronin

Direct onomatopoeia.

2. It sometimes amused foreigners to see snow remotion groups, plough blades down, blowers howling
, on a hot, cheery twenty-four hours.

A.Hailey

Direct onomatopoeia.

3. & # 8220 ; Krr & # 8211 ; krr & # 8211 ; krr & # 8211 ; ki & # 8211 ; ki & # 8211 ; ki & # 8211 ; krr. & # 8221 ; & # 8220 ; Damn! & # 8221 ; said Christine briefly. Merely one motor horn in Aberalaw could sound like that.

A. J. Cronin

Direct onomatopoeia. The writer imitates natural sound of the horn of the auto.

Matching

1. Heavily, like a deceasing adult male, he took stock of them: his patients, gathered, despite the all right summer eventide, to pay testimonial to his mode, his personality
.

A. J. Cronin

The writer sets side by side two correspondent phrases: & # 8220 ; his mode, his personality & # 8221 ; in order to reenforce the point.

2. Mel, airport general director & # 8211 ; thin, rangy
, and a human dynamo of disciplined energy & # 8211 ; was standing by the Snow Control Desk, high in the control tower.

A.Hailey

3. He spoke really angrily
and pitterly
, and looked consecutive in front while he talked.

E. Hemingway

Anastrophe

1. Here
she would sit, run uping and knitting, while he worked at the tabular array.

A.J. Cronin

The writer uses a purposeful reversal of the natural order of words with a position to rising their consequence.

2. With all this behind them certainly
they would non hunger.

A.J. Cronin

3. Gone now was
his pretension of indifference.

A.J. Cronin

Polysyndeton

1. & # 8220 ; A diputation from the Committee, five of them, including Ed Chenkin, and
escorted by Parry & # 8211 ; you know, the Sinai curate & # 8211 ; and
a adult male Davies. & # 8221 ;

A.J. Cronin

The writer uses polysyndeton to convey out every item and to decelerate down the action.

2. It was possible to purchase fruit and
fish and
veggies stingily at that place.

A.J. Cronin

3. He brought his arm down and
stopped smiling and
looked at the fire water faucet and
beyond the fire hydrant the trough and
beyond the trough the street, Ventura, and
on both sides of the street houses and
in the houses people and
at the terminal of the street the state where the vineries and groves were and
watercourses and
hayfields and
so mountains and
beyond the mountains more metropoliss and
more houses and
streets and
people.

W. Saroyan

Chiasmus

1. & # 8220 ; If
they & # 8217 ; d done anything to you
& # 8211 ; after all
you & # 8217 ; ve done for me
I & # 8217 ; d & # 8211 ; Oh! I & # 8217 ; vitamin Ds have killed that old President. & # 8221 ;

A. J. Cronin

The writer juxtaposes two thoughts.

2. & # 8220 ; It looks to me, & # 8221 ; continued Soames, & # 8220 ; as if she were sweeter on him than he is on her
. She & # 8217 ; s ever following him about. & # 8221 ;

J. Galsworthy

3. Gratitude was no virtuousness among Forsytes, who, competitory, and full of commonsense, had no juncture for it ; and Soames merely experienced a sense of aggravation amounting to trouble, that he did non have her as it was his right to have her
, that he could non, as by stretching out his manus to that rose, pluck her and whiff the really secrets of her bosom.

J. Galsworthy

4. & # 8220 ; In the yearss of old work forces
made the
manners
; Mannerss
now make
work forces
& # 8221 ;

J. Byron

This is a celebrated quip by Byron, the writer, who favoured chiasmus.

5. & # 8220 ; Surely they don & # 8217 ; T want me for myself, for myself is the same old ego they did non want. & # 8221 ;

J.London

Climax ( Gradation )

1. He was ill, tattered, on the brink of a complete prostration
.

A. J. Cronin

The writer gives gradual addition in emotional rating of the status of the character.

2. His startled sisters looked, and before the servant miss could acquire at that place, the staff of life home base wobbled, slid, flew to the floor, and broke into trembles.

K. Mansfield

3. & # 8220 ; They looked at 100s
of houses ; they climed 1000s
of stepss ; they inspected countless
kitchens. & # 8221 ;

S.Maugham

Here the flood tide is achieved by simple numerical addition.

Alliteration

1. & # 8220 ; So he sat and jawned, and gazed at the chromium
owd chromium
owding to the lucifer at two o & # 8217 ; clock, chromium
owding back in the somberness at four O & # 8217 ; clock & # 8230 ; & # 8221 ;

A. Bennett

Alliteration is the repeat of similar consonants at the beginning of neighbouring words.

2. She wr
inkled her Br
ows in a at a loss Fr
ain.

J. Galsworthy

The articulation of & # 8220 ; R & # 8221 ; is used to reenforce the look.

3. & # 8220 ; Forget and forgive & # 8221 ; , she cried passionately.

J.London

4. But he was angry now, his jitteriness lost in a puffiness in
dignation at the ignorance, the in
tolerant stupidity of Chenkin & # 8217 ; s acc
usation, and the Air Combat Command
lamation with which the others had received it.

A.J.Cronin

Assonance

1. He wrote
and wrote
, ne’er looking
at the clock
, make fulling sheet
after sheet
, until his caput
reeled
.

A. J. Cronin

[ u & # 8211 ; u & # 8211 ; u & # 8211 ; & # 8211 ; I: & # 8211 ; I: & # 8211 ; e & # 8211 ; I: ]

Assonance & # 8211 ; calculated repeat of like sounding vowels in neighboring words with a position to rising their consequence.

2. When he opened his eyes
once more he started
, seeing something crawling
fleetly up a tree
.

D.H. Lawrence

[ ai & # 8211 ; a: & # 8211 ; I: & # 8211 ; I: ]

Rhetorical Question

1. Could a adult male ain anything prettier than this dining-table with its deep shades, the starry, soft-petalled roses, the ruby-coloured glass, and quaint Ag trappings ; could a adult male ain anything prettier than a adult female who sat at it?

J. Galsworthy

Rhetorical inquiry is a inquiry which requires no reply, and is used simply to underscore a point.

2. & # 8220 ; Please, my beloved fellow – & # 8221 ; Llewellyn entreated & # 8211 ; & # 8220 ; who could assist an accident like that? I beg of you & # 8211 ; travel up and comfort your wife. & # 8221 ;

A. J. Cronin

3. She took the vase of roses and left the room. Soames remained sitting. Be it for this that he had signed that contract? Was it for this that he was traveling to pass some ten thousand lbs?

J. Galsworthy